Using Omnisphere 2 In Maschine
The Omnisphere 2 NKS Library is a preset pack for browsing Omnisphere 2 presets from the Komplete Kontrol / Maschine software and hardware. This library contains over 7500 factory presets for Omnisphere 2 that can be loaded and browsed directly using the Komplete Kontrol / Maschine software and hardware. Browse, load, and control your favorite plugins directly in Maschine or Komplete Kontrol with custom mapped VST and NKS presets. Maschine Packs provide you with custom templates to browse plugin presets by tag and category, as well as custom macros for. Omnisphere Preset Browser for Komplete Kontrol Maschine IMG New Support Thread Here Get the presets and more information Here Also Available. Jan 23, 2015 Hey there! We have set up a separate forum area to discuss everything related to the Coronavirus / COVID-19. This way it's more easily ignored for those who just want to talk about day-to-day audio, music & production topics. I also show how to map Omnisphere parameters to Maschine for automation, it’s not as simple as automap for many other plugins in Maschine. If there is something you want to know about deeper in Omnisphere let me know, also, if there are other plugins that you need explained so you can really get your music down let me know! Now, if you switch from the NI factory library to Your library in Maschine 2 and select either the Instruments or Samples option, you should see your sounds listed in alphabetical order. The entire process only takes a matter of seconds and you should have your entire collection of presets and samples imported into Maschine 2 after just a few. Feb 20, 2018 I want to add Tyrell N6 to the Synthesizers category in mac but no luck so far, using your method I only manage to change the plugin images using your method, I guess something is not setup correctly in the distdatabase folder, I tried with and without the comma after 'Synthesizers' in the categories.json file but still doesn't work.
Spectrasonics released their flagship synthesizer Omnisphere back in 2008. Since then it’s become known to professional sound designers and discerning producers as a feature-rich synth that’s capable of creating lush organic and synthetic soundscapes in the studio in addition to being an expressive and fully customizable performance tool.
The highly anticipated Omnisphere 2 was recently released and boasts many features that expand its sonic palette even further. It now includes a library of more than 12,000 classic and modern sounds that includes the Spotlight EDM library, all of which is easily accessible through Omnisphere 2’s intuitive new browser. Spectrasonics Omnisphere 2 is one of the most popular plugins among Splice users – Sign up for a free Splice account to download full Abelton Live, FL Studio, and Logic projects that make use of Omnisphere 2’s features and read on to discover some of the ways that it can contribute to your production toolkit.
Main Page
Omnisphere 2’s Main Page is where you’ll access most of its primary controls. It’s here that you can adjust global tuning and performance parameters that affect all aspects of Omnisphere 2’s sound and behavioral characteristics. The Main Page is also where you can adjust global parameters such as overall amplitude gain, MIDI channel routing, and audio output routing. The Master Filter section at the bottom of the Main Page provides you with a global Highpass and global Lowpass filter with adjustable Cutoff and Resonance controls.
Notes view offers an overview of the currently selected patch, while Layers view provides a more detailed look at the various layers that combine to create it. Each patch that you create using Omnisphere 2 can be constructed of components derived from both Waveforms and Soundsources, which you can freely explore by cycling through them in this window.
Soundsource Zoom gives you further control over the sound and behavior of Soundsources by allowing you to adjust virtual microphone placement, selection of playback algorithms, articulation modes, legato settings, and more.
The Oscillator Zoom section provides you with advanced options for sculpting your sounds and is the center of Omnisphere 2’s sound design capabilities. It’s here that you can choose from over 400 available wavetables and access several synthesis modes including FM, RM, Waveshaper, Unison, Harmonia, and Granular. You can use the Shape, Symmetry, and Hard Sync sliders to adjust the shape of the selected wavetable and alter its characteristics.
Orb
Omnisphere 2’s Orb is one of its most unique and defining features, and functions equally well as both a production and performance tool. The Orb allows you to instantly manipulate a sound in many different ways by introducing dynamic gestures to macro parameter automations in a way that’s far superior to what’s possible with a standard X/Y controller. Spectrasonics has also developed the Omni TR controller app for Apple iPad which is the perfect controller for the Orb and is available for free at Apple’s digital App Store. Every single patch in Omnisphere 2 has this capability, and operation of the Orb couldn’t be simpler. The closer to the edges of the circle the cursor is moved, the more dramatic the changes will be – moving the cursor to the center of the Orb or pressing the Clear button returns the sound to its original state. The overall intensity of the sound modification is determined with the Depth slider. A completely new set of manipulations can be chosen at any time by simply clicking the Dice button, which instantly creates a brand new group of modifications and effects. The Orb can also be setup manually and used as a modulation source in Omnisphere 2’s Mod Matrix or automated within your DAW.
Audio Import
New to Omnisphere’s latest edition is the ability to import your own audio for use as Soundsources. This feature allows you to process your own audio the same way you would with any of the included Factory Soundsources. You can manipulate your audio using any of Omnisphere 2’s synthesis capabilities as well as any of the onboard effects modules provided. This means that you can import any audio loop, vocal sample, or even an entire mix to transform the audio into something completely different. See what Spectrasonics founder Eric Persing has to say about some of Omnisphere 2’s latest features in the video below:
FX
Omnisphere 2 comes with a powerful selection of 58 high quality effects that can be used as either sends or inserts. Almost all of the FX parameters loaded in Part Racks can be modulated with any modulation trigger source, meaning that FX can be fully integrated into the synthesis architecture and character of a patch, which makes using them much more integrated and powerful than using standard FX plugins alone. In addition to individual FX Presets you can also load or save Rack Presets, which recall entire FX chains with all of their settings intact.
Arpeggiator
Omnisphere 2 has a built-in Arpeggiator that features multiple modes and trigger options paired with a variable-length 32-step Pattern Programmer. /ableton-live-8-mac-torrent-download.html. Version two provides enhanced melodic flexibility with the addition of a per-step note transposition feature.
Mixer
The Mixer section offers a comprehensive overview of all Parts contained within a Multi. It provides you with Mute and Solo switches for fine-tuning specific Parts and level sliders for mixing the various Parts together to taste. A Pan control is also included for placing each Part within the stereo field, as well as four Aux Sends which correspond to the FX section.
Stack Mode
Omnisphere 2’s Stack Mode gives you fine control over specific performance and playability parameters. Stack Mode makes it possible to create splits, layers, and crossfades for up to eight Parts simultaneously, all controlled from a single MIDI track or from a single controller. With Notes, each Part region is mapped to a MIDI note range, allowing you to map splits, layers, and crossfades across your keyboard. With Velocity, each Part region responds to a specific velocity range, which causes different Part regions to be triggered by playing harder or softer. With CC, Part regions can be switched and crossfaded using MIDI control change messages.
Live Mode
Live Mode allows you to seamlessly switch and layer patches on the fly. Live Mode was designed for use in a live performance environment, but is also an inspiring way to interact with the sounds of Omnisphere 2 in studio situations. It’s especially useful for recording multi-Part performances using a single MIDI track in your host sequencer. The Live Mode page has eight slots which each correspond to an Omnisphere 2 Part.The Omni TR controller app mentioned above also works with Live Mode and allows you to quickly stack and activate Parts. Patch names are always displayed in large and easy to read type so that they are clearly visible while performing on stage.
Browser
Omnisphere 2 ships with a massive library of over 12,000 sounds – its Browser offers a useful way to search, filter, and browse its contents. There are two types of Browsers in Omnisphere 2: the Full Browser and the Mini-Browser. The Full Browser occupies the entire Omnisphere 2 user interface, which allows for more refined searches and displays more results. The Mini-Browser occupies only the left area of the interface which allows the controls to remain accessible throughout and is convenient for editing sounds while browsing.
With Omnisphere 2, Spectrasonics have stayed true to the quality and character of the original Omnisphere while adding a host of brand new features that are sure to please both newcomers and long-time users alike. It’s currently available in AU, VST, RTAS, and AAX formats for both 32-bit and 64-bit systems. You can explore more of Omnisphere 2’s features and sounds by Splicing the projects below!
Splice is the cloud platform for music creation, collaboration and sharing.
July 7, 2015
Maschine is a next-generation groove production studio that makes beat creation and arrangement more immediate and tactile than ever before. The system combines an advanced software sequencer and sampler with a seamlessly integrated, highly functional performance controller. Finally merging a fast and intuitive groove-box workflow with the power and versatility of software, Maschine enables an inspiring and spontaneous creative approach for today’s computer-based music production setups.
Maschine is built on an intelligent combination of timeless groove box and drum machine workflows, systematically refined and expanded to take advantage of the best aspects of computer technology. It brings together flexible step sequencing and real-time polyphonic recording in a forward-thinking pattern-based arrangement concept that makes it easy to jam out ideas, and turn them into full-blown songs in a way that is efficient, effortless and fun. Maschine was designed to accommodate and facilitate inspiration at any point in the creative process, from spontaneous beat creation to sophisticated multi-timbral arranging.
The advanced Maschine controller was designed as a natural extension of the software, and makes the system feel and respond as a true instrument. The 16 pressure-sensitive drum pads have been carefully engineered for the best possible response and durability, and they illuminate to visualize sequence patterns and other crucial information. Eight rotary encoders, a concise layout of dedicated buttons and dual high-resolution displays give immediate access to all functions of Maschine without touching the computer mouse or keyboard. By design, all features are quickly accessible “on the surface” rather than hidden away in hierarchical sub menus. The Maschine hardware also doubles as a powerful universal controller for any MIDI compatible music gear, thanks to an included MIDI mapping application and support of the MCU protocol for sophisticated DAW control.
Based on a powerful high-resolution sample engine, Maschine is a versatile instrument that renders intricate drum kits and percussion, loops and multi-sampled polyphonic instruments with uncompromising sonic accuracy, assisted by automatic sample mapping, beat slicing, note repeat and more. The advanced real-time audio recording and resampling features in Maschine also allow producers and performers to capture, map, sculpt and transform any external or internal signal immediately, and seamlessly integrate the result into a running track without ever breaking the flow of the music. Multiple performance effects sections on the sample, group and master level provide a versatile arsenal of 20 high-quality algorithms ranging from conventional to experimental, all optimized for profound sound shaping and creative real-time control through the Maschine hardware.
Maschine lets everyone get into making music right away through its massive library of drum and instrument sounds for contemporary urban and electronic music styles, created in collaboration with international cutting-edge producers and sound designers. Based on several GByte of studio-quality samples, the arsenal of Maschine provides hundreds of drum kits, synthesizer sounds and acoustic instruments, with around ten thousand individual sounds overall. All kits, instruments, samples and effects can be efficiently managed and located through a highly convenient browser that uses categories and concise metadata.
With Maschine, all crucial functions including parameter automation, sample mapping and sound editing are always immediately accessible through the controller and within the concise single-window user interface of the software. Usable both as a self-contained standalone instrument and within any DAW or music sequencer, Maschine utilizes all the benefits of computer integration like total recall, superior processing power, memory and file handling, project transfer and more, while retaining the inspirational handling and tactile appeal of a hardware instrument.
This release is update and requires previous versions installed.
However, we included the tool to install the update without that.
Check R2R.txt for further information.
The update will include the following improvements :
USABILITY IMPROVEMENTS:
Empty Sounds are exported as MIDI when exporting Group Patterns. /how-to-uninstall-mixxx.html. (ie. Sound one is always on MIDI channel one, sound two is always on MIDI channel two, sound three is always on MIDI channel three and so on, even if the group contains sounds with no MIDI.)
Komplete Kontrol Keyboards can now be connected to a Maschine instance using a toolbar icon.
MIDI input options have changed. “None” now actually means none (ie. no MIDI input even if the sound is in focus), and a new “Focus” entry has been added which allows MIDI input only when the sound is focused.
Scene changes can now be recorded in the DAW.
It is now possible to navigate between plugin slots when in the browser by pressing SHIFT.
A timer has been added to the page numbers on the Maschine classic HW, meaning that the page number no longer blocks the display of sections names.
Macros and plugin parameters can now be cut and pasted between pages, as well as renamed.
Plugin pages can now be cleared and deleted.
Events can now be quantized from the software (using the right click context menu in the pattern area)
Root note is automatically selected when slicing sounds to a new group (partial fix for a bug introduced in 2.2)
NIS roundtrip (saving presets in KK will update Maschine and the standalone version of the plugins browser with the preset)
Omnisphere 2 Pc
NEW INSTRUMENTS AND EFFECTS:
A new “Analog” mode has been added to the distortion module (based on the Skreamer module in Guitar Rig). The old distortion is the “Mulholland” mode.
A new Cabient Emulation effect has been added (based on control room from Guitar Rig)
A new “Breaker” engine has been added to the snare drumsynth.
A new “High” engine has been added to the Tom drumsynth.
A new “Cymbal” drumsynth has been added, with two modes “Crash” and “Ride”.
A new “Hybrid” engine has been added to the Hi-Hat module.
The limiter has been updated. The old limiter is available as a “Legacy” mode.
Two new reverb modes have been added “Hall” and “Room”. The plate reverb has been moved, so it is in the reverb module. The old reverb has been renamed as “Reverb (Legacy)”
SHARED CHANGES FROM KOMPLETE KONTROL 1.1
PluginHost refactoring
Arp Hold added
Scale Key Mode “Guide”
Master/Sound Volume Control added
Octave Display added
Touchstrip Modes “Tempo”, “Spring” and “Stepped”
Touchstrip Controller Page added
Kontakt Key Switch String Display
Foldable Tag Clouds functionality added
Common Abbreviations Update
MASCHINE 2.3 also includes KOMPLETE SELECT – a premium selection of instruments and effects (free for all registered MASCHINE 2 software users):
MASSIVE – definitive synth for basses and leads
MONARK – iconic monophonic syntheisizer
THE GENTLEMAN– vintage upright piano
DRUMLAB – acoustic and electronic drums
REAKTOR PRISM – vibrant modal synth and effects
SCARBEE MARK I – classic electric piano
RETRO MACHINES – vintage analog synth and keyboards
VINTAGE ORGANS – five drawbar legends reborn
WEST AFRICA – polyrhythmic percussion and melodies
SOLID BUS COMP – versatile compressor effect